๐ง๐ต๐ฒ ๐๐ฎ๐ฟ๐ฑ๐ฒ๐ป ๐ข๐ณ ๐๐๐ฒ๐ป๐ถ๐ป๐ด ๐ ๐ถ๐๐๐
๐๐ ๐ง๐ฎ๐ป ๐ง๐๐ฎ๐ป ๐๐ป๐ด
๐ฃ๐๐ฏ๐น๐ถ๐๐ต๐ฒ๐ฟ: ๐๐ผ๐ฎ๐ป๐ผ๐ป๐ด๐ฎ๐๐ฒ ๐๐ผ๐ผ๐ธ๐
๐ฃ๐ฎ๐ฝ๐ฒ๐ฟ๐ฏ๐ฎ๐ฐ๐ธ: ๐๐๐
๐ฃ๐๐ฏ๐น๐ถ๐๐ต๐ฒ๐ฑ: ๐๐ญ๐ก ๐๐ฝ๐ฟ๐ถ๐น ๐๐๐๐
๐๐ฒ๐ป๐ฟ๐ฒ: ๐๐ถ๐๐๐ผ๐ฟ๐ถ๐ฐ๐ฎ๐น ๐๐ถ๐ฐ๐๐ถ๐ผ๐ป
๐ ๐ฎ๐น๐ฎ๐๐๐ถ๐ฎ๐ป ๐๐ถ๐๐ฒ๐ฟ๐ฎ๐๐๐ฟ๐ฒ
๐ฅ๐ฒ๐ฎ๐ฑ๐ถ๐ป๐ด ๐ฌ๐ฒ๐ฎ๐ฟ: ๐๐๐๐
Teoh Yun Ling, recently retired from her role as a judge due to illness, returns to the highlands of Malayaโa place deeply intertwined with her past. While her homecoming appears rooted in remembrance, itโs also guided by quieter, more personal motives that gradually unfold. A former prisoner in a Japanese internment camp during World War II, Yun Ling bears the emotional weight of survival. Her beloved sister, who perished in the camp, was passionate about Japanese gardens, a shared fascination that endured even in the darkest times.
Determined to honour her sister's memory, Yun Ling approaches Nakamura Aritomo, once the gardener to the Emperor of Japan and now living in seclusion in Malaya, to design a garden in her sisterโs memory. He declines the request but offers to take her on as an apprentice, allowing her to learn the art of Japanese gardening herself. Thus begins a quiet yet profound journey, where both Yun Lingโs and Aritomoโs pasts gradually reveal themselves.
The language is accessible yet elegant, and the narration is fluid. It's not a novel driven by fast-paced action; instead, it's a meditative, deeply layered story that invites the reader to linger. Rich in descriptive beauty, itโs a novel to savour, one that rewards patient, attentive reading. The narrative is complex, with interwoven plotlines, a cast of memorable characters, and a significant historical backdrop, all of which demand focus but offer great reward.
Set against the backdrop of Malayaโs turbulent historyโparticularly the Japanese occupation and the post-war Malayan Emergencyโthe book examines the long shadows cast by war and trauma. Yet it also gently immerses readers in the disciplines of Japanese gardening, the elegance of traditional tattooing, and the quiet poetry of landscape. The authorโs lush descriptions paint mist-covered hills, rain-washed plantations, and serene gardens that borrow from the earth and sky in perfect harmony. Every element, from the placement of a stone to the fall of leaves, seems charged with intention and meaning.
The Garden of Evening Mists left a lingering impression on me. It offered not only a compelling story but also a genuine sense of escape and reflection. While its slow, contemplative pace and intricate storytelling may not appeal to every reader, it is undoubtedly a rewarding experience for those who enjoy historical fiction, character-driven narratives, and thoughtful, immersive prose.
Iโve previously read the authorโs The House of Doors, which, unfortunately, didnโt quite meet my expectations. I look forward to reading Tan Twan Engโs debut novel, The Gift of Rain, and hope it, too, will offer the same quiet beauty and emotional resonance.
My Rating:
4/5
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